Dixit doesn’t even rise above her pink sari-and-sickle, though you can see her trying her hardest with all the flying-through-the-air stunts, cleaving bad men’s clavicles, and so on. How can you take a film seriously when each bout of `lathi’-clashing is interspersed with group dances, with Rajjo-Rani doing the familiar Dixit` latkas’ and `jhatkas’? In a deeply offensive scene, Sumitra Devi makes a fellow crawl between her subordinate’s legs : I don’t know who cringed more– me, the viewer, or the two people who were in that scene, the woman who is ordered to spread her legs, and the man who is forced to crawl in between.